Today I planned to read for sheer enjoyment. Not as easy as you think. I’m
always analyzing writing styles, flinching over typos, questioning grammar... Distracting, to say the least.
Settled in my recliner, I breathed a contented sigh, and cracked the cover
of Two of the Deadliest. Out of
habit, I checked the publisher and the date of publication before beginning the
collection of short stories by top female crime writers.
After reading only two or three titles, I knew it was an excellent book.
I began taking notes. I couldn’t stop myself. I gave a star rating and a one or
two sentence review for each one. Despite my good intentions, I was reading
these stories as a writer. On the plus side, my comments would come in handy if
I wrote a book review.
Taking a break from reading, I glanced over the brief notes and the
three to five stars allocated to the stories I’d finished. Unsatisfactory
ending was one comment I’d scribbled. Why was I dissatisfied? What would have
satisfied me? Why did I feel the main character lacked ... character?
Characters are almost more important to me than the storyline. They
don’t have to be characters I can identify with, or people I would like to
befriend, as long as they are three-dimensional. Well-portrayed.
The very act of delegating a star rating to each story forced me to identify
its strengths and weaknesses. It gave me pause to reflect on what I liked most.
Was it the turn of phrase, storyline, ending, character profile? Did the
suspense and imagery capture and keep my attention? Why did I enjoy this
particular story and how could I apply this attribute to my own stories?
I put the book aside. I’d take a walk and think further about the
winning features of each author’s story. There were also some near misses
that I needed to think over. Yes, a walk was a good idea. My dog would agree.
Unless it’s too windy, too wet, too cold, or too hot, Lex is crazy about
going for walks. So much so, that we have to be careful saying the word around
her. She dances and spins, her toenails scrabbling for traction on the hardwood
floor.
We can’t get away with spelling the word, either. She knows that w-a-l-k
means her leash is coming out of the drawer. She stands next to the door
shifting on all fours.
While Lex led me along the trail, I compared the short story I’m currently working on to
the stories I’d just read. Based on how I judged them, how would I rate my own?
I tried to apply the same criteria for evaluation. Could the reader enter my
character’s state of mind? Is the imagery vivid enough? Would the reader feel
his pain? Are my descriptions graphic enough that the reader will be in the
room with my character? Sitting across from him? Will his or her breath quicken
as the nightmare unfurls? Is it suspenseful from start to finish? Is the ending
satisfying?
Perhaps knowing what I like to read, and why I find it effective, will
help me become a better writer.
Speaking of reading, I have a very entertaining book to finish.