My
dream was so real it was like I was actually there. But of course that was
impossible. I wasn’t born yet. According to the experts, this may have been a
past life memory emerging. My detailed account of this
dream appears in ‘A River Runs by it’, an anthology honouring the 100th
birthday of Sarnia.
Twilight Imagery
On the sidewalk next to a wooden
crate is a partly eaten hunk of bread − the crust untouched. I snatch it up. In one smooth motion, it’s swept into the
pocket of my dress.
Self-preservation is my utmost priority. Each day my thoughts are of survival –
finding food and safe shelter for the night.
Nearly invisible, I slip into hiding places and scavenge for necessities
− which are few.
My shadowed obscurity shields me like
a cloak of armour as I dodge the dockworkers at the busy wharf along Front
Street. Instinctively street savvy, I
have the ability to blend in and stay out of harm’s way.
I am eight years old. I am a street
urchin. This is the only life I know, or
rather, the only one I remember. Though
it is a solitary existence without family or friends, loneliness does not
affect me.
Farther north and away from the
warehouses, people are picnicking on a grassy expanse of a park-like area next
to the Town Hall. Mostly women and
children. The activity captures my
interest. Knowing I don’t belong here, I
keep my distance and study the scene from where I stand on the sidewalk.
Sensing that someone is watching me, I
turn my head slightly to the right. A
girl stands on the grassy section near the sidewalk. She wears a fussy dress. A wide, pink satin ribbon rides slightly
above her chubby middle. A plump child
with strawberry coloured hair, fat cheeks, and a pouting mouth. A pink complexion fights for exposure amongst
the freckles.
To her I am not invisible; I am a curiosity. She stares.
My face is smudged with dirt, my hair tangled, and my dress grimy. Without a petticoat, it hangs in folds around
my skeletal frame.
She remains on the grassy section for
the same reason, I think, that I stay on the sidewalk. We each have a clear awareness of where we
belong.
It’s strange how, as though from a
distance, I can see myself standing there.
Behind me is Christina Street, though normally I do not venture onto the
other street. If I turn, I will see
horses and wagons travelling the roadway.
I can hear them. But the horses
and wagons do not interest me.
It is windy. I hold a newspaper in both hands, reluctant
to put it down because it will blow all around.
I look for a refuse bin, finally spotting one outside the open door of
the Town Hall.
A man with a large mustache drooping
past the corners of his mouth, and wearing a waistcoat and bomburg hat appears in the doorway.
He observes the activities outside for a few minutes. When he leaves to go back inside the building,
I scurry across the lawn to dispose of the paper.
Not until then do I realize that the
bin is not for refuse. It is a holding
bin for the papers and books from the Town Hall. It flashes through my mind that they are
preparing to move or are doing a renovation of some type. Regardless, they need to move things out of
the building.
I secure the newspaper in the corner
of the concrete entrance and hurry back to the sidewalk. The river beyond the lush green open space is
now churning fitfully. I see
whitecaps. The sky is dark with rain
clouds.
I watch as one woman shakes a red
plaid blanket and folds it into a neat square.
The picnickers are packing up.
They carry their wicker baskets over their arms as they prepare to
leave. The women wear broad-brimmed
picture hats. Their dresses, a snug fit
around minute waists and smooth over rounded hips, stretch beyond their calves,
though they do not reach their ankles.
As one woman bows her head, I can see
a dip in the brow of her hat where delicate ivory-coloured lace rests in folds
inches thick. A blue bird is nestled
into the lace.
There’s dampness in the air. The cool wind chills my bare arms. The storm is coming quickly. Turning away from the pretty dresses and unusual
hats, I hurry back to the south end of Front Street.
The dockworkers, some wearing dark
coloured sweaters, are shouting as they hand off small crates one to the other. They appear anxious to finish unloading
before the inevitable downpour. I
skitter past them. Already the sidewalk
is spattered with the heavy drops.
The texture of the sidewalk
fascinates me – pebbles of varying size encased in concrete. On summer nights, I sleep with the uneven,
cold surface against my cheek. I trail
my fingers over the round smooth tops of the brown and grey stones and then
onto the roughness surrounding them. The
familiar touch and smell is comforting.
On this night, I seek shelter from
the weather. Waiting for the right
moment, when no one sees, I pull open one of two large faded green wooden doors,
badly splintered at top and bottom.
Portions of wood−the size of my arm−missing here and there.
It takes a moment for my eyes to adjust
to the darkness. The large warehouse is
mostly vacant except for a few skids and crates. Crates that stand higher than me. I believe them to be empty but imagine them
filled with root vegetables.
The damp smell of the black earth
floor fills my airways. Creeping forward,
I notice a small pile of loosely woven gunnysacks along the wall in the outer
corner of an empty wooden crate. I’m
excited. I cannot believe my luck. These sacks will be my bed. Perhaps tonight I will keep warm and dry.
*****
The sound of the alarm clock rouses
me. I reach across the bed and shut it off. Lying beneath the covers, I revisit the vivid
details of my dream.
The indisputable smells, sights, and
sounds of an era a half century before my birth refuse to fade upon waking. The smell of the
St. Clair River lingers, as does the feel of the damp cool breeze on my bare
arms. It is so real that a part of me is
still there. The young street urchin − still
on the streets of Port Sarnia.
There is a puzzling sense that I have
been inside this dream before. The
moonlight has guided my hurried steps down the deserted street and past the
warehouses. The explicit image and the
feeling of danger flash through my mind.
There must have been other dreams like this one over the years. How many dreams over how many years, I cannot
be sure.
My mind remains centred on the keen
recognition of things unknown in my lifetime.
The memories hold fast. For weeks,
the dream intrudes at unexpected moments.
Not solely images, but feelings and thoughts. Not about my dream, but within my dream. These visions that refuse to diminish disturb
me.
It was an intriguing dream that set
off many ‘what if’s’ for an inquisitive
writer.
Is the newspaper I am holding in the
dream significant? Can I even read? I have no insight of what I was doing with
the paper. Is it possible that I hawked
newspapers and needed to dispose of the last one? As yet, I have not found the answer.
It seemed strange that words not
normally in my vocabulary would come out in a dream: petticoats, refuse bins,
waistcoats, homburgs, and even gunnysacks.
I had gone back in time. From the
appearance of the clothing, I guess it to be the early 1900’s.
Finally, I power on the laptop and
make a record of the distinct details still embedded in my mind.
During online research, I delight in
seeing the women’s costumes sketched as I remember them in my dream. I even find a hat with a bird. Apparently, the well-to-do sometimes wore
real stuffed birds on their hats! In my
dream, I am very taken with this image.
My attention turns to the men’s
fashions. Namely, those of the man who
appeared in the doorway of the Town Hall.
In my online search, I cannot find the bomburg hat. However, I do
find a homburg hat. It looks identical
to the one from my dream. Is the name of
the fashion headwear a child’s mistake? I deliberately use the word bomburg in the re-telling of my dream as
that name is definitely the way the child thought of it.
My fascination of this phenomenon
continues over the weeks and months to follow. I research historic pictures of the Sarnia
waterfront. None of the pictures is
exactly as I remember. There are a
couple of pictures of the waterfront, however, that produce a chilling
effect.
Friends listened to the strange
dream, wondering, I’m sure, if it is even possible to dream in such detail. Interesting, they said − if they said
anything at all. Some suggested it may
have been a past life regression.
It remains a
mystery.
Twilight Imagery appeared in the anthology A
River Runs by it, published by Sydenham Press 2013.
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